I really disliked last week's painting, so it no longer exists! I painted this over the red wave. The colors were just too disturbing for a wave. Greens and blues are much more soothing.
I wasn't sure what would happen when I tried to layer over the red and orange. Since orange is the compliment of blue, I was afraid that I would end up with mud. I was pleasantly surprise to find that the colors didn't really mix. I love how the bits of red and orange are peeking through. That gives a nice energy to the painting.
The foam on the crest of the wave is very textural, which reads nicely in person.
This idea looked much better in my head. I wanted to paint another wave but use totally different colors and see if it still read as a wave. What do you think? I haven't decided yet. It was a nice experiment though. I used the same colors in the sky as in the wave and they were competing too much so I put a couple coats of clear medium to knock the color back. Even though the medium is clear, because it is wax, it is cloudy when it cools.
I've had another busy week will little time to paint so I went back to experimenting with my encaustics. I love painting skies with this medium. I tried to do a simple grassy field but in this picture, it looks pretty sad. In person, I thought it was successful, but I might have to revisit that area with my heat gun and some more colors.
I used my palette knife again this week. It is so much more fun than using a brush. I don't really enjoy using a brush with oils because I don't like the drag of the paint. I'm used to the fluidity of watercolor and the heavy oils really bug me except when I use a palette knife. Then it's like spreading frosting - such fun.
Now I wish I had a cupcake to eat.😕
I painted the support red before I painted this and let specks of the red peek through.
I love painting waterlilies and liked the interesting shape of the shadow in my reference photo. There are a few areas I might tweak on this but for now I'm taping it up where I will see it each time I walk into my studio. That way, I can look at it with fresh eyes each time I see it and will decide if I want to change anything.
I can't believe that it's been a year and a half since I've painted in oil and two years since I've done a palette knife painting. Even though oil isn't my favorite medium, I do like painting with a palette knife so it surprises me that I've let so much time pass without using that tool.
I went to the Farmer's Market this weekend hoping to find some incredible vegetables to paint but there was nothing that screamed "PAINT ME" so I ended up with these little onions. I chose a red background to add some punch. I do love red but rarely use it. I wonder what's up with that? I'll have to concentrate when I make my color choices for future paintings instead of always going with my comfortable colors.
This is painted on a piece of 140# hot press Arches paper. As soon as I began wetting the paper, I could see that it had problems with the sizing. That seems to be an ongoing problem with the paper that I have. I have purchased some new Arches paper for projects that involved a lot of drawing where I don't want any surprises with how the paper will react, but I've come to expect most of the paper that I have stored will have problems with the sizing so I'm keeping a lot of matte medium on hand so I can seal the paper when I have this problem.
I'm sure that I've had this paper for at least 10 years because I don't typically buy hot press paper. I find it hard to work on since I like to paint with many glazing layers. The previous layers tend to lift on hot press, which is really frustrating.
Of course, when I seal the paper with matte medium, the paint layers lift even easier. In this painting, I painted the background and initial base colors of the pear with watercolor. Since I wasn't doing additional layers on the sky, the watercolor was fine. For the pear, the watercolor was lifting way too much so I carefully painted a layer of matte medium over the watercolor and painted the rest of the layers in acrylic. There's always a way to make things work, which is a fun challenge.
This looks like an underwater infrastructure to me. Painting watery looking paintings seems to ease the heat we are having. I painted this on TerraSkin, which I haven't used for quite a while. If you regularly follow this blog, you might remember that TerraSkin is a surface made from stone dust and non-toxic resin. It is mostly non-porous, but the surface has a little bit of tooth which holds the paint a bit better than Yupo, another non-porous 'paper'.
I love using fluid acrylics on this surface. I've also experimented with watercolor, oil and pastel, but I think acrylics are so perfect to used in transparent layers.
I've been busy working on my house this past week so I didn't have much time for painting. Here is a watercolor skyscape. I really enjoy painting skies in watercolor and you'll probably be seeing a lot more in the future.
I work in just about every art medium I can get my hands on with my favorites being watercolor and silk painting. I love to experiment with different mediums and styles of painting. I try to paint every day and will post my paintings here as I finish them. I really appreciate any comments you may have on the paintings. You can sign up below to receive the postings automatically by e-mail. If you would like to see my artwork divided by medium, visit my website. If you would like information on purchasing one of my paintings, please send me an e-mail at email@example.com